Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.
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Dag Petersson is Associate Professor at the Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen, Denmark. He has previosuly been Senior Researcher at the Danish Royal Library and lecturer at the University of Copenhagen. He is the author of Jacob A. Riis (2008), and co-editor of Actualities of Aura: Twelve Studies of Walter Benjamin (2005).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback or Cased Book. Etat : New. The Art of Reconciliation: Photography and the Conception of Dialectics in Benjamin, Hegel, and Derrida. Book. N° de réf. du vendeur BBS-9781137029935
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography. 315 pp. Englisch. N° de réf. du vendeur 9781137029935
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Etat : New. This comprehensive critique examines three dialectical systems, Hegel, Benjamin, and Derrida, and their respective engagement with photography for the unfolding of the system's self-conception. Num Pages: 315 pages, biography. BIC Classification: AJ; HPN. Category: (P) Professional & Vocational. Dimension: 223 x 137 x 29. Weight in Grams: 532. . 2013. 2013th Edition. hardcover. . . . . N° de réf. du vendeur V9781137029935
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