Renaissance Theories of Vision - Couverture souple

Livre 52 sur 77: Visual Culture in Early Modernity

Carman, Charles H.

 
9781138245488: Renaissance Theories of Vision

Synopsis

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

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À propos de l'auteur

John Shannon Hendrix is a Professor of Architectural History at the University of Lincoln, UK, and a Lecturer at the Rhode Island School of Design and at Roger Williams University, USA.

Charles Carman is an Associate Professor of Art History at the University at Buffalo, USA.

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Autres éditions populaires du même titre

9781409400240: Renaissance Theories of Vision

Edition présentée

ISBN 10 :  1409400247 ISBN 13 :  9781409400240
Editeur : Routledge, 2010
Couverture rigide