This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is turally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The indifference of younger classes in the secondary schools to their English composition is due to a variety of causes, of which three are worthy of special consideration. In the first place, there is a lack of novelty in present methods of teaching the subject. The kind of work that is usually prescribed for such classes seems to the pupils to be a mere repetition of what they have tried over and over again in the lower grades. The grammar review, for instance, which confronts them on the threshold of the secondary course, is usually nothing more than a re-view, affording them no new view of their English, and calling for the exercise of no new form of ingenuity that might enlist their interest. In the second place, one side of the pupils training in English, and a most important side, is at this stage of his progress almost entirely neglected. The forces which urge young persons to express themselves with tongue or pen are partly individual, partly social, partly impulses from within, partly solicitations from without. Pupils compose most naturally and most successfully when the two forces are in equilibration. But at the beginning of secondary instruction it is not uncommon for the teacher to rely upon the inward stimulus alone. He does not lead his pupils to think of the other man for whom they are writing or speaking.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text.
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.