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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is turally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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Three of the four essays in this volume have already appeared in print. The first, The New Criticism was delivered as a lecture at Columbia University in 1910, and was published, under the title of Literary Criticism, in the Columbia University Lectures on Literature; Dramatic Criticism and the Theatre was published in the fourth volume of Essays and Studies by Members of the English Association (O xford: Clarendon Press); and Creative Connoisseurship was written as a letter to an artist friend and was printed in the New York Evening Post. All of them have undergone more or less alteration, and a few passages taken from an article on The Seven Arts and the Seven Confusions in the Seven Arts have been added to them. The essays are now gathered together in the hope that they may stimulate interest in a province of aesthetic theory which has been largely neglected by the English-speaking world.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
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Originally published in 1917. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.
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