Edwin Booth: Recollections by His Daughter, Edwina Booth Grossmann, and Letters to Her and to His Friends - Couverture souple
Synopsis
Book by Booth Edwin Grossmann Edwina Booth
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Présentation de l'éditeur
Junius Brutus Booth, the Elder, and Edwin Booth, 1850. Frontispiece. After a daguerreotype. FACING PACE Edwin Booth and Grandchild, 1887 8A fter amateur photograph by Mr. Ignatius R. Grossmann. Mrs. Mary Devlin Booth 24 After a photograph by Case Getchell, Boston. Edwin Booth in 1852 48 After a daguerreotype. Edwin Booth in 1854 80 After a photograph. Edwin Booth in 1864 112 After a photograph by Brady. Edwin Booth as Hamlet 144 Painted by Oliver I. Lay, 1887. Original in possession of Mrs. Oliver I. Lay. Articles Belonging to Edwin Booth 162 Drawn by Otto Bacher from origfinals. 1, Bauble used in Fool s Revenge, made for and presented to Edwin Booth. Engraved on the handle is the following quotation :O noble fool, Oworthy fool. Motley sthe only wear. 2, Dagger used by Edwin Booth in Macbeth. 3, Antique Roman brass lamp used by Edwin Booth in Richelieu. 4, Cane carried in Taming of theS
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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