Articles liés à Violin Making
Présentation de l'éditeur
Many admirable works on this interesting subject have appeared in several languages, but, to my mind, in a form too sternly technical, cold, if I may be allowed—the writers barely in touch with the anxious youth or man, who, as amateur, yearns to get at that knowledge of correct construction without which he scarce may hope to become a professional violin maker, some notable instances to the contrary, all the same.
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Violin Making
Edité par
Reference Series Books LLC Sep 2013, 2013
ISBN 10 : 1153810948
ISBN 13 : 9781153810944
Neuf
Taschenbuch
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Excerpt: .size in height and breadth, and the placing of it by the soundhole on the G side of the instrument. As to the former, I think it is pretty well agreed that the bar only one, please answers the purpose of a support and vibrator, as opposed to the soundpost, which is of a quite opposite nature, being semi-rigid and a conductor of sound. It is a support where the belly, if too thin, has a tendency to sink; and how often do we notice this, aye, and in (market) valuable old violins too! when bars, out of all proportion to the rest of the work, have to be inserted, so as to keep up a dignity of doubtful reputation! I will try to make this very vital point clear to you. The wood of this belly is very thin and very old, consequently, very sensitive and active, and more responsive than it ought to be to do battle properly with the mass of air inside, fine, solid tone being required. In a measure to check this over activity and give more resistance, this heavy bar replaces the old one; but do you not see that a counter evil results for the over weight of wood added as a bar is not in sympathy with the rest of the thin table; and this, not being strengthened (as against all the canons of order or of etiquette of the initiated), it still responds as before its old companion was cast aside; and I maintain what is gained in strength is lost in quality, resulting from a jarring of two rival conditions. As I told you, the tone of the belly was D when I stencilled the soundholes on to it; when I had cut the soundholes, it came to C; and it must be my business to bring it again to D, as I work only on these lines, as, if back and belly be of one tone, or too severed, or the latter, say C and the former D, or near to these, there will be weak and strong tones, beats, and perhaps more than one wolf, and not a result at all satisfactory. Placing the belly face down in the rest before used when hollowing out, I take a strip of old pine (in fact, cut from. 34 pp. Englisch. N° de réf. du vendeur 9781153810944
Acheter neuf
EUR 16,73
Expédition à EUR 23
Expédition depuis Allemagne vers Etats-Unis
Expédition depuis Allemagne vers Etats-Unis
Quantité disponible : 2 disponible(s)
Image fournie par le vendeur
Violin Making
Edité par
Books LLC, Reference Series, 2012
ISBN 10 : 1153810948
ISBN 13 : 9781153810944
Neuf
Taschenbuch
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Excerpt: .size in height and breadth, and the placing of it by the soundhole on the G side of the instrument. As to the former, I think it is pretty well agreed that the bar only one, please answers the purpose of a support and vibrator, as opposed to the soundpost, which is of a quite opposite nature, being semi-rigid and a conductor of sound. It is a support where the belly, if too thin, has a tendency to sink; and how often do we notice this, aye, and in (market) valuable old violins too! when bars, out of all proportion to the rest of the work, have to be inserted, so as to keep up a dignity of doubtful reputation! I will try to make this very vital point clear to you. The wood of this belly is very thin and very old, consequently, very sensitive and active, and more responsive than it ought to be to do battle properly with the mass of air inside, fine, solid tone being required. In a measure to check this over activity and give more resistance, this heavy bar replaces the old one; but do you not see that a counter evil results for the over weight of wood added as a bar is not in sympathy with the rest of the thin table; and this, not being strengthened (as against all the canons of order or of etiquette of the initiated), it still responds as before its old companion was cast aside; and I maintain what is gained in strength is lost in quality, resulting from a jarring of two rival conditions. As I told you, the tone of the belly was D when I stencilled the soundholes on to it; when I had cut the soundholes, it came to C; and it must be my business to bring it again to D, as I work only on these lines, as, if back and belly be of one tone, or too severed, or the latter, say C and the former D, or near to these, there will be weak and strong tones, beats, and perhaps more than one wolf, and not a result at all satisfactory. Placing the belly face down in the rest before used when hollowing out, I take a strip of old pine (in fact, cut from. N° de réf. du vendeur 9781153810944
Acheter neuf
EUR 22,64
Expédition à EUR 35
Expédition depuis Allemagne vers Etats-Unis
Expédition depuis Allemagne vers Etats-Unis
Quantité disponible : 1 disponible(s)