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Controversies Over The Imitation Of Cicero As A Model For Style, And Some Phases Of Their Influence On The Schools Of The Renaissance - Couverture souple

Scott, Izora

 
9781163608715: Controversies Over The Imitation Of Cicero As A Model For Style, And Some Phases Of Their Influence On The Schools Of The Renaissance

Synopsis

Controversies Over The Imitation Of Cicero As A Model For Style, And Some Phases Of Their Influence On The Schools Of The Renaissance is a book written by Izora Scott. The book explores the debates and controversies surrounding the use of Cicero as a model for style during the Renaissance period. It examines the various arguments put forward by scholars and educators on the benefits and limitations of imitating Cicero's style, and how this influenced the teaching of rhetoric and language in schools during the Renaissance. The book also looks at the impact of these controversies on the development of Renaissance humanism and the broader intellectual and cultural trends of the time. Overall, Controversies Over The Imitation Of Cicero As A Model For Style, And Some Phases Of Their Influence On The Schools Of The Renaissance offers a detailed and insightful analysis of an important aspect of Renaissance intellectual history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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Présentation de l'éditeur

Though the term Ciceronianism could be applied to Cicero sinfluence and teaching in the field of politics, philosophy, or rhetoric, it is limited in the present study to the technical department .of rhetoric and represents the trend of literary opinion in regard to accepting Cicero as a model for imitation in composition. The history of Ciceronianism, thus interpreted, has been written with more or less emphasis upon the controversial aspect of the subject in various languages. Jean Levesque de Burigny wrote a short sketch Sur la querelle qui seleva dans le XVI siicle au sujet de Festime qui itait due AC iceron in 1756; C. Lenient published a thesis De Ciceroniano hello apud recentiores at Paris in 1855; Professor Sabbadini in 1855 described the movement in his Storia del Ciceronianismo; and Professor Sandys has most recently (1905) told the story in a short lecture at Harvard, entitled The History of Ciceronianism. In view of these publications the only justification for the present study may be found in the statement of a somewhat dififerent aim: to furnish to the English reader scwne of the con- troversial matter in direct translation or full analysis, and to con inect the doctrine more particularly with the schools of the Renais sance. The major field of the study will lie after the middle of the fifteenth century and will deal with controversial writings on imitation, though the earlier period of the historical development, previous to 1450, will receive brief notice where it will be the purpose to show how the influence of Cicero manifested itself through various phases until it hardened and narrowed into that pedantry and purism of the sixteenth century which assumed the name of Ciceronianism as a doctrine of style advocated by a cult of servile imitators. The work, consequently, will fall into three divisions: (a) an introductory chapter on the influ
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Présentation de l'éditeur

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

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