Synopsis
The Influence of the Stars: A Book of Old World Lore is a comprehensive guide to the history and mythology behind the stars and constellations. Written by Rosa Baughan, this book delves into the ancient beliefs and superstitions surrounding the stars, as well as their scientific significance.Baughan explores the origins of astrology and the ways in which the stars have been used for divination throughout history. She also discusses the various cultural interpretations of the constellations, from the Greek myths of Orion and Cassiopeia to the Chinese zodiac.The book includes detailed illustrations of the constellations, as well as star charts and diagrams. Baughan also provides practical advice for stargazing, including tips for identifying stars and constellations and recommendations for the best times and places to view them.Overall, The Influence of the Stars is a fascinating exploration of the rich cultural and scientific history of the stars, perfect for anyone interested in astronomy, mythology, or the history of human beliefs and practices.1889. In three parts, on astrology, chiromancy, and physiognomy, to which are added chapters on the significance of the moles of the body astrologically considered, the Mystical Wheel of Pythagoras and the methods of working it. Illustrated with nine plates. This is a practical guide to these arts.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Présentation de l'éditeur
Of all subjects that have at any time engaged the attention of the world, there is none more ancient than astrology. In the East—where it first arose at a period of very remote antiquity—it still holds sway and in every part of the world (especially among the learned) it reigned supreme until the middle of the seventeenth century. That it not only ruled the daily actions of individuals but swayed the councils of princes, is shown by the records of every nation that has a history (and by none more fully than by that of England); yet the present generation seems never, until quite lately, to have cared to inquire on what basis this belief could have been for so many ages supported. During the past ten years, however— possibly from a reaction growing out of the realism by which we have been so long oppressed—a new interest in these old-world beliefs has sprung up and it is to satisfy that interest that this book (containing the results of many years' study) was written. Chiromancy and Physiognomy are both based on astrology and are, therefore, quite in place as the second and third parts of a work treating of the influence of the stars. Many of the modern writers on Chiromancy seem disposed to deny its affinity to astrology, with which it is, however, inseparably connected. Dr. Saunders, in the preface to his exhaustive work on Chiromancy and Physiognomy, published in 1671, and dedicated to his friend Lilly, the great astrologer, says: "For our more orderly proceeding with the body of this work, it is in the first place necessary to be observed that there are seven planets, named Stellæ Errantes— wandering stars—which have each of them its separate character as they are used in astrologie; the which stars have great power over inferior bodies and do, each of them, govern some part or other of man's body and they especially have their material existence in the hand and without astrology Chiromancy could not subsist and be subservient to true wisdom." Now, why, in the face of this and many other equally forcible words among the old-world authorities, do the modern writers try to force their own crude theories upon us? To drag the time-honoured study of Chiromancy into the turmoil of nineteenth-century existence and—by robbing it of its mysticism—to strain it into unison with the realism of modern thought, strikes the earnest student with the same sense of incongruity as would the hanging of a carnival mask over the mystically calm features of an antique statue.
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