The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library
T060220
Anonymous. By Richard B. B. Sheridan.
Dublin: printed for the booksellers, 1800. 72p., plate; 12°
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Lbc Scbool for Scan Oal was then one ot the gayest cities in the British kingdom. In that brilliant city and in that opulent, insincere, tattling, backbiting society intermittently, but most of the time he lived during the perilous years of his youth, from 1770 to 1776 :there he loved and won for a wife the beautiful Eliza lyinley eloping with her to France, and fighting duels in her defence when he came back ;there he wrote The Rivals and The Duenna, and there he planned and partly executed The School for Scandal. Into The Rivals he wrought much of his own personal experience, duly and artistically modified and veiled. Into The School for Scandal he wrought the results of his observation working in a manner essentially natural to his order of mind, yet one that was to some extent guided and impelled by the study of Ktherege, Wycherley, Farquhar, Vanbrugh, and Congreve, who are his intellectual ancestors. There is more freedom, more freshness of impulse, more kindness, more joy, more nature in The Rivals than there is in The School for Scandal ;but both are artificial ;both reflect, in a mirror of artistic exaggeration, the hollow, feverish, ceremonious, bespangled, glittering, heart-breaking fashionable world, in which their authors mind was developed and in which they were created. The School for Scandal, indeed, is completely saturated with artificiality, and the fact that it was intended to satirize and rebuke the faults of an insincere, scandal-mongering society, does not and was not meant to modify that pervasive and predominant element of its character.
(Typographical errors above are due to OCR software and don't occur in the book.)
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