Articles liés à Meissonier, His Life and His Art
Présentation de l'éditeur
Pen and ink sketch. LIST OF PLATES COLOURED PLATES. TO FACE PACE Charles I. on Horseback. (S epia drawing.) 8A Cavalier of the Time of Louis XIIL (P en drauing-.) 40 .C avalier of the Ti.me of Louis XIII. {S lwA yior IJA rmve auC meau. Pencil and body-colour.) 74 AC onstable. (P en sketch with wash.) 96 Stuuv for a Figure of .S amson. (D rawing in black and red chalk, belonging to M. Jean Gigoux.) 126 The Emperor sH orse. (J ena, itio6.; 144 Portrait of Meissonier. (F irst sketch for the large portrait painted by the artist in 1889.) 224 Study of aH and. (R ed chalk.) 232 Sketch. (P eriod of theD irectory.) 248 Napoleon. (S ketch of the wax model of Napoleon.) 264 Study for the Players at Bowls. (P encil drawing. Musee du Luxembourg.) .. .270 Study forS unday atP oissy. (P encil drawing, touched with white. Musee du Luxembourg.) 278 Study for theE vangelists. (R ed chalk. Muse edu Luxembourg.) 286 Breast-piece for aH orse. (P encil drawing, touched with white. Musee du Luxembourg.) 290 B.WARD Arming Fr.vncis I. asK night. (S ketch for a proposed picture.) 312 Facsimile of aD rawing on Wood forL es Contcs Remois 320 AG entleman of the Time of Louis .. (F orE d. deB eaumont sL es Femmes et IE pee. M. Beyer scollection.) 332 Bacchus. (P en drawing.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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