This book, from the series Primary Sources: Historical Books of the World (Asia and Far East Collection), represents an important historical artifact on Asian history and culture. Its contents come from the legions of academic literature and research on the subject produced over the last several hundred years. Covered within is a discussion drawn from many areas of study and research on the subject. From analyses of the varied geography that encompasses the Asian continent to significant time periods spanning centuries, the book was made in an effort to preserve the work of previous generations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
He published a book on Michelangelo spoetry. At the same time he was a scientific engineer. When war broke out Petrucci was on his way home from I taly, where he had been engaged, I believe, on some large engineering project and he only got out of Switzerland into France by the last train which left Basle. He came toE ngland for a time, looking after a number of Belgian refugees, including some very distinguished artists. At the end of 1914 he was engaged by the India office to do some valuable work in London on the collection of Chinese and Tibetan paintings brought back from Tun-huang byS ir Aurel Stein. He then worked at La Panne for theB elgian army hospital (he had had a medical training in his youth), went toP rovence for a rest, fell ill and died in Paris after an operation. Raphael Petrucci was a man who seemed to reincarnate the boundless curiosity and the various ability of the men of the Italian Renaissance. But for some years before his death he had concentrated his powers chiefly on the study ofO riental art, of the Chinese language, and of Buddhist iconography. His most important work in this line is La Pbilosopbie de laN ature dans VA rt dE xtreme Orient, a sumptuously printed folio published by Laurens in Paris, with illustrations by the Kokka Company, and written with as much charm as insight.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text.
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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