Acting Is Believing: A Basic Method For Beginners - Couverture rigide

McGaw, Charles J

Couverture rigide

ISBN 10 : 1258019469 ISBN 13 : 9781258019464

Editeur : Literary Licensing, LLC, 2011

Synopsis

Acting Is Believing: A Basic Method For Beginners is a comprehensive guide to the fundamentals of acting. Written by Charles J. McGaw, a seasoned acting coach and teacher, the book is designed to help aspiring actors develop their skills and techniques. The book covers a range of topics, including the basics of acting, the importance of preparation, and the techniques used to create believable characters. McGaw's approach is grounded in the belief that acting is a form of communication, and that the most effective actors are those who can connect with their audience on a deep and emotional level. With practical exercises and clear explanations, Acting Is Believing is an essential resource for anyone who wants to learn the art of acting.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A propos du livre

Présentation de l'éditeur

Although the materials in this book are organized in such a way as to make them practical for classroom use, they are intended for any reader who is interested in a basic approach to the art of acting; and though the book has been written with the stage actor in mind, the methods described may be used as well by the actor in any other field. The basic approach to acting is the same for the proscenium stage, theatre-in-the-round, motion pictures, television, and radio. The differences lie in the differing technical adjustments required by these various mediums. The approach here presented is based, to a considerable extent, on the methods of Stanislavski. The borrowings have been recognized throughout, and the debt to Stanislavski and to certain of his followers is gratefully acknowledged. In no sense, however, does the book pretend to be an interpretation of the Stanislavski “system.” It attempts only to draw upon some aspects of the system which have proved to be practical in helping beginning actors to develop an effective technique for bringing a character into existence on the stage. In some instances the vocabulary of Stanislavski's translators has been employed. Other terms have been used wherever they seemed to have greater clarity. Stanislavski's influence has been admittedly great, but the extent of that influence on the modern theatre is difficult to determine. It would seem that his principal contribution consists, not in his having originated a “system,” but rather in his detailed analysis and careful setting down of the attitudes and techniques which have been used more or less consciously by fine actors in all periods of theatrical history. Such knowledge as one can obtain of the working methods of great actors of the past indicates that they have always made imaginative use of their own experiences and that they have always striven for truth and a sense of reality in their performances. Furthermore, a study of all of the writings of Stanislavski gives ample evidence of his awareness that an actor's characterization must be theatrically effective as well as truthfully conceived. This book is based upon the following assumptions: 1), Although genius in acting may be a quality that defies analysis, the art as it is generally practiced consists of certain basic skills that may be mastered to some degree by anyone who sincerely wants to do so. 2) Mastery of those skills is much harder and more demanding work than most would-be actors realize. 3) The aspiring actor must recognize that, although rehearsals and performances before an audience are vitally important to his growth, he must also develop his skills through individual practice and effort. Only in this way can he succeed in his aim of becoming a creative artist. Part I, The Actor and Himself, is intended to help the young actor to develop himself individually. Part II, The Actor and the Play, is intended to help the actor to use his individual creative skills to express the meaning of the play as it has been conceived by the dramatist. Part III, The Actor and the Production, is designed to help the actor in his relations with the director and to aid him in making the necessary adjustments to the technical elements of a theatrical production. The exercises throughout have been taken directly from modern and classic plays so that the actor may always understand the applicability of the theory he is attempting to put into practice.

Détails de l'édition

• Éditeur: Literary Licensing, LLC
• Date d'édition: 2011
• Langue: anglais
• ISBN 10: 1258019469
• ISBN 13: 9781258019464
• Reliure: Relié
• Illustrateur: Reddy Robert
• Nombre de pages: 192
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible