Excerpt from The Hero in French Romantic Literature
By the self-conscious hero I refer to the essence of the to mantic protagonist, after his many various trappings have been stripped away. He is what remains beneath a multitude of poses and superficial traits. He is at once a reflection of the romantic writer and a projection of what the romantics considered the ideal man, for any hero must be, by definition, a concept of the ideal man. By studying the romantic hero in this light we can ualize, to a rather fine point, just what sort of configuration the romantic ideal man assumed.
Thus a study of the romantic hero can tell us much about the spirit of the age. He can lead us straight to the writer's own psyche, as both an artistic reflection and projection. He can reveal the values which motivate the hero and character ize the romantic worldw. For he will surely reflect the writer's beliefs and ideas, as he is caught up in the social cataclysm and philosophical reorientation of romanticism. Surely, then, the romantic hero is our best touchstone to understanding romantic literature.
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