Articles liés à Journal of the Discovery of the Source of the Nile...
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Synopsis
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is turally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:
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<title> Journal Of The Discovery Of The Source Of The Nile; Issue 50 Of Everyman's Library, Ed. By Ernest Rhys. Travel And Topogeaphy; Issue 50 Of Everyman's Library: Travel And Topography
<edition> reprint
<author> John Hanning Speke
<publisher> J.M. Dent & co., 1908
<subjects> Africa, East; Nile River
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Présentation de l'éditeur
Zwecker, from Sketch by do. 197. ONB OF THE WAHUMA do204. OUR CAMP OCTSIDE THE PALACE, KARAGUE... Zwecker, from Sketch by do. 210. MUSICIANS-KARAGUE Zwecker, from Sketch by do. J11. VIEW OF MOUNT MFUMBIRO, AND DRAINAGE SYSTEM OF THE MONTES 220. Nzoi ANTELOPES LITTLE WINDERMERE, KARAGUE Wolff, from Sketch by do. 222. THE KINGS NEW-MOON LEVEE :G rant, 227. PRESENTING MY HCNTING SPOILS TO RUMANIKA Zwecker, from Sketches by Speke $G rant. 247. WAOANDA WAR-INSTRUMENTS Grant. 256. FERRY ON THE KITANGULE RIVER do. 260. BARAZA AND RESIDENCE OF KAMRASI SUNCLE NGAMBEZI do. 269. WAOANDA BREWING POMBE do. 277. VIEW OF KING MTESA SPALACE FROM MY HUT UGANDA do. 280. MOAN-DA, OR NATIVE OF UGANDA do. 285. KING OF UGANDA RETIRING do. 297. KAMBARI FISHS peke. 887. A QUEEN DRAGGED TO EXECUTION UGANDA Grant. 360. VIEW OF THE MCRCHISON CREEK do. 862. UGANDA BOATS peke. 370. CAPTAIN GRANT LEAVING KARAGUE Grant. 382. KING OF UGANDA REVIEWING COL. CONGOS REGIMENT Zwecker,from Sketch by Speke. 888. Knco MTESA HOLDING A LEVEE Zwecker, from Sketch by Grant. 8tt. SPEKE INTRODUCES GRANT TO THE QUEEN-DOWAGER OF UGANDA.... do. 400. PALACE GUARDS AT DINNER UGANDA do. 407. WAOANDA OFFICERS DRINKING POMBE do. 4n. GOATSUCKER (C osmetornis Spckii) :from Specimen, Wolff. THE RIPOM FALLS the Nile flowing out of Victoria Nyanza Speke. 452. NBAMMA ANTELOPE UGANDA Wolff, from Sketch by do. Tar ELEPHANTS CHARGE Zwecker,from Sketch by do. 46. Kwo KAMRASI PALACE FROM MY HUT UNYORO Grant. 481. STUBS Mm KILLING AC ow, WITH MAGICIAN, ETC., LOOKING ON Zwecker, from Sketch by do. 4M. KAMRAM HFIRST LKMON IN THE BIBLE do. 4W. KIMEXTA THE DWARF OROCT OF KIDI MEN ON A VISIT TO KINO KAMRASI do. t.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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