A Week at Waterloo in 1815 - Couverture rigide

 
9781296902315: A Week at Waterloo in 1815

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Synopsis

This work has been selected by scholars as being turally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Biographie de l'auteur

Sir Walter Scott, 1st Baronet, (15 August 1771 – 21 September 1832) was a Scottish historical novelist, playwright and poet. Many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, Old Mortality, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor. Although primarily remembered for his extensive literary works and his political engagement, Scott was an advocate, judge and legal administrator by profession, and throughout his career combined his writing and editing work with his daily occupation as Clerk of Session and Sheriff-Depute of Selkirkshire.

Présentation de l'éditeur

The subject--a deathbed scene--might seem at first sight to be a trite and common one. The mise-en-sce--the Field of Waterloo--alone however redeems it from such a charge; and the principal actors play their part in no common-place or unrelieved tragedy. "Certainly," as Bacon says, "Vertue is like pretious Odours, most fragrant when they are incensed or crushed: For Prosperity doth best discover Vice; But Adversity doth best discover Vertue."

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