Articles liés à The Grammar of Painting and Engraving;
L'édition de cet ISBN n'est malheureusement plus disponible.
Présentation de l'éditeur
Frontispiece. PAGE FIGURED EXPRESSION Michael A ngela.... 20 VOLTAIRES STAIRCASE Paul Chenavard 27 EXAMPLE OF SYMMETRICAL COMPOSITION. ENTHRONED VIRGIN Giovanni Bellini 35 A BALANCED COMPOSITION. THE SCHOOL OF ATHENS Raphael 41 EXAMPLE OF PERSPECTIVE 50 EXAMPLE OF PHYSICAL PERSPECTIVE 56 EXAMPLE OF FORESHORTENING 67 SKETCH FOR AN ENTOMBMENT Raphael 71 ATTITUDE OF PROPHET ISAIAH Michael A ngela.... 77 ATTITUDE OF AHAZ Michael A ngela.... 78 GESTURES FROM THE LAST SUPPER .. .L eonardo da Vinci 81 THE SACRIFICE OF ABRAHAM Rembrandt 87 ELYMAS STRUCK WITH BLINDNESS Raphael.... 89 MOVABLE FIGURES IN PIECES 95 STUDY FOR THE APOLLO OF PARNASSUS Raphael.... 108 STUDY FOR THE VIRGIN OF FRANCIS THE FIRST.R aphael. ...115 THE VIRGIN OF FRANCIS THE FIRST Raphael 116 ST. MICHAEL Filippino Lippi.... 118 THE SUPPER AT EMMAUS Rembrandt ... 142 DIAGRAM OF COLORS 154 DIAGRAMS SHOWING COMPLEMENTARY COLORS 163 NEPTUNE Giulio Romano.... 185 THE HUT OF THE BIG TREE Rembrandt... .211 MERCURY AND ARGUS Claude Lorraine 215 LION Barye...
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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