This book demonstrates how the book trade of 1640–1740 canonised Shakespeare by selling, editing and promoting his plays and poems.
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Emma Depledge is lecturer in Restoration and eighteenth-century literature at the Université de Fribourg, Switzerland. She has published a number of articles on Shakespeare in the Restoration and her first book explores the publication, performance and adaptation of Shakespeare's plays from 1642–1700.
Peter Kirwan is Associate Professor of Early Modern Drama at the University of Nottingham. His books include Shakespeare and the Idea of Apocrypha (Cambridge, 2015) and Shakespeare and the Digital World (Cambridge, 2014). He is currently completing a monograph on the theatre company Cheek by Jowl and new editions of Pericles and Doctor Faustus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 16401740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times. This book appeals to scholars with interests in Shakespeare's authorial and publication history and book history, from the Renaissance to the early eighteenth century. International experts show how booksellers, editors, printers and publishers shaped the Shakespeare canon, adapting the presentation of Shakespeare's plays and poems for a range of consumers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781316608258
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