Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
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Davinia Caddy is Senior Lecturer at the School of Music, University of Auckland. Her articles and reviews have appeared in publications including the Journal of the Royal Musical Association, 19th-Century Music, the Cambridge Opera Journal, Music and Letters and Opera Quarterly.
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Paperback. Etat : new. Paperback. Belle-epoque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day. An important and provocative contribution to the burgeoning literature on the Ballets Russes, this book examines the relation between music, dance and the cultural politics of belle-epoque Paris. Davinia Caddy presents fresh perspectives on the broadly acknowledged innovations of the Ballets Russes, opening up important new areas for debate. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781316623633
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Etat : New. 2016. Reprint. Paperback. A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-epoque Paris. Series: New Perspectives in Music History and Criticism. Num Pages: 254 pages, 24 b/w illus. 15 music examples. BIC Classification: ASDL; AVA; AVGC5; AVGC6. Category: (P) Professional & Vocational. Dimension: 173 x 246 x 17. Weight in Grams: 442. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781316623633
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