Portraits of Dante: From Giotto to Raphael — a clear, thoughtful guide to how artists pictured the poet across centuries. This critical study surveys portraits and iconography of Dante, tracing how evidence, style, and period shape our sense of the author’s likeness. It weighs sources from early manuscripts to sculpture, death masks, and frescoes, helping readers separate fact from legend.
This edition frames a complex topic with careful analysis and accessible writing. It explains how scholars judge authenticity, compare likenesses, and build a timeline from Giotto’s frescoes to later reproductions. Readers will gain a grounded view of why portraits of Dante multiply, shift, and endure in art history.
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If some day another edition is published, it will be found, I hope, to have profited by all the valuable remarks that may have been made concerning this ;or, if not by all, at least by all that become known to me by courtesy or chance or search. EMENDATIONS Although the error which it contains is not vital, my statement of the steps by which the Torrigiani bust (it is not a mask) was transferred from private to public ownership (page 38) should have conformed exactly with the historical data in the footnote on page 39. I avail myself of this opportunity to mention by the way a very recent discovery described by Mr. P. G. Konody inT he Illustrated hondon News {ox A 1, 1911 ;this discovery illustrates various affirmations of mine, but especially some of those on the manufacture of death-masks in chapter iv. In dealing with Giotto sD ante it behoved me to lay greater stress on the difference in colouring of Kirkup soriginal sketch (in his Co i;fuw) and of the A rundel print or its immediate source; fortunately both the sketch and the print are now reproduced in fascimiles so accurate that experts in evidence may be able to account fully for the obvious discrepancy by comparing the two reproductions with each other and with the testimonies quoted in chapters ix, xiii, and xiv.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book investigates the physical characteristics of one of the most famous literary figures of all time, Dante. The author has produced an in-depth study of portraits attributed to Dante created from the earliest available sources to 1512. Dante Alighieri died in 1321, but the author explains how portraits influenced by his friend Giotto's famous fresco at the Bargello were painted for many years after, providing an interesting insight into the evolving interpretation of his likeness. As well as Giotto's fresco, the book looks at portraits by Botticelli, Signorelli, and Raphael. The author emphasizes that images of Dante that are familiar today are influenced by 19th-century interpretations but that this book provides an important corrective to this with textual and visual historical evidence. This will not only appeal to lovers of Dante but also to anyone interested in the history of portraiture, the art of the Italian Renaissance, and the history of book illustration. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781330303825_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330303825
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330303825
Quantité disponible : 15 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 366 pages. 9.02x5.94x1.10 inches. This item is printed on demand. N° de réf. du vendeur zk1330303822
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