Advanced Ear Training and Sight Singing (Classic Reprint) - Couverture souple

Wedge, George A.

9781330345184: Advanced Ear Training and Sight Singing (Classic Reprint)

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ISBN 10 : 1330345185 ISBN 13 : 9781330345184

Editeur : Forgotten Books, 2018

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Excerpt from Advanced Ear Training and Sight Singing

The study of Harmony generally consists of writing notes, mathematically calculated from a figured bass, without hearing their sound or understanding their use and bearing upon playing or singing. A musician must be able to read and hear written music as readily as he reads his mother tongue. The purpose of this book is to show the pupil how to study and apply Har mony, to develop the ability to hear what is written and to furnish exercises for study. Each Lesson is divided into three Sections: Section A contains the exercises for written work, applying Harmony to Melodic Construction and Harmoniza tion, and the study of Form; Section B, the exercises for Harmonic, Interval and Melodic Dictation; Section C, the exercises in Singing Intervals, Rhythms, Chords and sight-reading.

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The study of Harmony generally consists of writing notes, mathematically calculated from a figured bass, without hearing their sound or understanding their use and bearing upon playing or singing. A musician must be able to read and hear written music as readily as he reads his mother tongue. The purpose of this book is to show the pupil how to study and apply Harmony, to develop the ability to hear what is written and to furnish exercises for study. Each Lesson is divided into threeS ections: Section A contains the exercises for written work, applying Harmony toM elodic Construction and Harmonization, and the study ofF orm; Section B, the exercises for Harmonic, Interval and Melodic Dictation; Section C, the exercises inS inging I ntervals, Rhythms, Chords andS ight-R eading, In class-work it has been found practical to use two fifty-minute periods a week, devoting one period to Sections A and Band the other to Section C. The explanations at the beginning of each Lesson combined withS ection Ccan be used for the study of Sight-S inging without the written work of Section A and tlie Ear-T raining of Section B. Following is a plan of the book, showing the development of the work and order in which the factors are taken up. AN ACKNOWLEDGMENT The author wishes to express his gratitude toD r. Frank Damrosch, who has encouraged and sponsored this work as it has been developed in the classes at the Institute of Musical A rt; To Miss Helen W. Whiley for loyalty and enthusiasm in presenting this material, and help in the preparation of the manuscript; To Dr. Thomas Tapper for reviewing the manuscript; To Dr. Percy Goetchius Tone Relations and Material Used in Musical Composition ;T oM r. Franklin W. Robinson for ideas in presenting Harmonic Dictation and the use and meaning of chords. To G. Schirmer, I nc. for the use of copyrighted material in theE xercises forS ig
(Typographical errors above are due to OCR software and don't occur in the book.)

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: Forgotten Books
Date d'�dition: 2018
Langue: anglais
ISBN 10: 1330345185
ISBN 13: 9781330345184
Reliure: Broch�
Nombre de pages: 352
Coordonn�es du fabricant: non disponible
Personne responsable: non disponible

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Advanced Ear Training and Sight Singing (Classic Reprint)

George A. Wedge

Edit� par Forgotten Books, 2018

ISBN 10 : 1330345185 ISBN 13 : 9781330345184

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Paperback. Etat : New. Print on Demand. This book delves into the fundamental principles of harmony in music, a subject that has been explored by composers and theorists for centuries. The author challenges the traditional approach of studying harmony solely through mathematical calculations, emphasizing instead the importance of developing a musicianâ� �s ability to "hear" written music. This book provides a comprehensive and practical guide for students to learn and apply harmonic principles, with a focus on three key areas: written work, harmonic dictation, and sight-singing. The book's approach is designed to foster a deeper understanding of harmony by connecting the theoretical aspects to the practical experience of playing and singing music. It utilizes exercises and examples to guide students in recognizing and applying the harmonic relationships between different notes and chords. Through this process, students are encouraged to develop an intuitive understanding of how chords resolve and create a sense of musical tension and release. The author's insights into the harmonic law and the melodic law, which govern the progression of chords and the movement of melodies, offer a unique perspective on the underlying structure and dynamics of music. Ultimately, this book offers a valuable resource for musicians seeking to elevate their understanding and appreciation of harmony, fostering a more comprehensive and engaging approach to musical study. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N� de r�f. du vendeur 9781330345184_0

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