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Tales from a Famished Land: Including the White Island a Story of the Dardanelles (Classic Reprint) - Couverture souple

Hunt, Edward Eyre

 
9781330346013: Tales from a Famished Land: Including the White Island a Story of the Dardanelles (Classic Reprint)

Présentation de l'éditeur

FOREWORD Herbert Clark Hoover, chairman of the Commission for Relief in Belgium, once called that amazing organization, “the door in the wall of steel.” Between November, 1914, and March, 1917, when America entered the world war, there had passed through that door millions of dollars in money, thousands of tons of foodstuffs and clothing, and four or five dozen young Americans, most of them just out of their ’teens, who played a part in Belgian history which they are still trying to explain in words of one syllable to admiring relatives and friends! Theirs is a story of sweet romance, gallant adventure, grotesque comedy, and grim tragedy. The tales which are here set down are a part of their story. These tales are not strictly truth, but they are not fiction. They are both. They try to describe the state of mind, the atmosphere in which History—both truth and fiction—is made; the atmosphere behind long lines of barbed-wire and bayonets, behind waves of poisoned gas, in a famished land where ten million heroic people, both French and Belgians, have silently and steadily fought to keep their self-respect, their sanity, and their courage. These tales have been written in a spirit of gratitude and love; with gratitude and love first of all to Herbert Clark Hoover, then to the other officers and members of the Commission for Relief in Belgium, and then, and perhaps most of all, to those unnamed French, Walloon, and Flemish millions with whom we Americans stood shoulder to shoulder on the inside of the “door in the wall of steel.” E. E. H. 4 Place de la Concorde, Paris New Year’s Day, 1918.

Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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