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Excerpt from The Theory of the Theatre and Other Principles of Dramatic Criticism
Most of the chapters which make up the pres ent volume have already appeared, in earlier versions, in certain magazines and to the editors of The Forum, The North American Review, The Smart Set, and The Bookman, I am indebted for permission to republish such materials as I have culled from my contributions to their pages. Though these papers were written at different times and for different immediate circles of subscribers, they were all designed from the outset to illustrate certain steady central principles of dramatic criti cism° and, thus collected, they afford, I think, a consistent exposition of the most important points in the theory of' the theatre. The introductory chapter, entitled What is a Play?, has not, in any form, appeared in print before; and all the other papers have been diligently revised, and in many passages entirely rewritten.
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The Theory of the Theatre and Other Principles of Dramatic Criticism
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Paperback. Etat : New. Print on Demand. This book delves into the captivating world of theatre, exploring its fundamental principles and the intricate relationship between playwright, actor, and audience. It examines the unique nature of drama as a distinct art form, contrasting it with literature and other artistic expressions. The author's insights, rooted in a deep understanding of theatrical history and practice, shed light on the evolution of stage conventions and the enduring power of live performance. Central to this exploration is the concept of a play as a dynamic struggle between human wills, fueled by emotion and expressed through action. The author dissects the psychology of theatre audiences, highlighting their inherent desire for conflict, their susceptibility to emotional contagion, and their role as active participants in the theatrical experience. Through insightful analysis of iconic plays and playwrights, the book illuminates the delicate balance between artistic vision and audience engagement, revealing the constraints and opportunities presented by writing for a collective audience. Themes of theatrical construction, the importance of visual storytelling, and the interplay between dialogue and action weave through the book, offering a comprehensive framework for understanding and appreciating the art of theatre. The author's profound observations on the collaborative nature of theatre and the timeless appeal of dramatic storytelling make this book an invaluable resource for theatre enthusiasts, students, and anyone seeking to deepen their appreciation for this captivating art form. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781330551158_0
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The Theory of the Theatre and Other Principles of Dramatic Criticism (Classic Reprint)
Edité par
Forgotten Books, 2015
ISBN 10 : 133055115X
ISBN 13 : 9781330551158
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Etat : Sehr gut. Zustand: Sehr gut | Seiten: 272 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. N° de réf. du vendeur 25822141/2
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