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THE island of Crete, known to the Venetians as Candia, has lain for about three thousand years out of the main line of traffic. In fact, when the prehistoric fleets of Crete, the first maritime power of the Mediterranean, gave place to Phoenician craft, the island ceased at once to be the gateway for commerce between Egypt and the European ports of the Adriatic, the Gulf of Salonica, and the Black Sea. To-day the stream of traffic hurries east and west, and the impatient traveller bound for the Indies, Cathay, or the antipodes, is lucky if he catches a distant glimpse of the snow-peaks of Crete. It seems strange that so beautiful an island, the scene of successive invasions in the past, should have escaped the inroad of the ubiquitous nineteenth-century tourist. The reasons for this were several—the presence of alien Turkish rulers, the frequent revolutions of their subjects, the insufficiency and uncertainty of connections, and the lack of decent accommodations. That the island is becoming known at all is due in the main to archaeologists and the 'Cretan Question.' Even to classical students twenty, nay, ten years ago, Crete was scarcely more than a land of legendary heroes and rationalized myths. It is true that the first reported aeronautical display was made by a youth of Cretan parentage, but in the absence of authenticated records of the time and circumstances of his flight, scholars were skeptical of his performance. And yet within less than ten short years we are faced by a revelation hardly more credible than this story; we are asked by archaeologists to carry ourselves back from A.D. 1910 to 1910 B.C., and witness a highly artistic people with palaces and treasures and letters, of whose existence we had not dreamed. And, observe, we have leapt over the heads of the Greeks; we have excelled even Icarus in audacity. We have committed an affront in the eyes of some conservative Greek scholars, who still cling to the miraculous creation of Greek art. The theme is a fresh one, because nothing was known of the subject before 1900; it is important, because the Golden Age of Crete was the forerunner of the Golden Age of Greece, and hence of all our western culture. The connection between Minoan and Hellenic civilization is vital, not one of locality alone, as is the tie between the prehistoric and the historic of America, but one of relationship. Egypt may have been foster-mother to classical Greece, but the mother, never forgotten by her child, was Crete. Before Zeus, was the mother who bore him in that mysterious cave of Dicte. The revelation of a pre-Hellenic culture in the Aegean area is due in the first place to Dr. Schliemann, whose great discoveries on the site of Troy, begun in 1871, led up to the revelations in Crete from 1900 onwards. It seemed fitting to the Muse of History that a man whose own life was a romance should open to us the door into one of her sealed chambers of the past. Let us in briefest fashion glance at his story. Henry Schliemann was born in the little town of Neu Buckow, in Mecklenburg-Schwerin, in the year 1822. He grew up in his father's parish of Ankershazen, where his natural disposition for the mysterious and the marvellous was stimulated by the wonders of the locality in which he lived. "Our garden-house," he writes, "was said to be haunted by the ghost of my father's predecessor, Pastor von Russdorf, and just behind our garden was a pond called 'das Silberschälchen,' out of which a maiden was believed to rise each midnight, holding a silver bowl. There was also in the village a small hill surrounded by a ditch, probably a prehistoric burial-place (or so-called Hünengrab) in which, as the legend ran, a robber knight in times of old had buried his beloved child in a golden cradle. Vast treasures were also said to have been buried close to the ruins of a round tower in the garden of the proprietor of the village."
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book tells the story of Crete, an island at the heart of the Aegean Sea, whose civilization was influential throughout Europe from the Bronze Age to the rise of Classical Greece. The author draws on the latest archaeological evidence to paint a vivid picture of Minoan Crete, revealing a sophisticated people who excelled in art, architecture, and technology. The author introduces us to the palace complexes of Knossos and Phaestos, and other urban centers such as Gournia, providing insights into their social, political, and religious life. The book also investigates Crete's external connections, its role in trade networks, and its interactions with other cultures of the Mediterranean. Through examining the evolution of Minoan culture from its humble beginnings to its zenith in the Late Bronze Age, this book provides a fresh perspective on the origins and development of European civilization. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781330560334_0
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330560334
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330560334
Quantité disponible : 15 disponible(s)