Famous Prima Donnas (Classic Reprint) - Couverture souple

Lewis Clinton Strang

 
9781330703342: Famous Prima Donnas (Classic Reprint)

Synopsis

The digital edition of all books may be viewed on our website before purchase. Excerpt from Famous Prima Donnas (Classic Reprint)



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Forgotten Books publishes hundreds of thousands of rare and classic books.

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

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Présentation de l'éditeur

Edna May as Violet Grey in The Belle of New York .F rontispiece A lice Nielsen in The Fortune Teller 7V irginia Earle as Winnifred Grey in A Runaway GirP 21 Lillian Russell as The Queen of Brilliants 42 Mabelle Gilman in The Casino Girl 56 Fay Templeton singing the coon song, My Tiger Lily (1 Madge Lessing 81 Edna Wallace -H opper ..
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Présentation de l'éditeur

The musical stage in the United States may be said to be a birthright rather than a profession. A critical examination of the conditions quickly shows one that the number of women at present prominent in light opera and kindred forms of entertainment, who have earned their positions by continued endeavor and logical development in their art, is comparatively small. The majority are, in fact, the happy victims of personality, who have been rushed into fame chiefly by chance and a fortunate combination of circumstances. They are without the requisite training, either in the art of singing or in the art of impersonation, that would entitle them to be seriously considered as great vocalists or as great actors. They are, however, past mistresses in the one essential for their profession,—the art of entertaining.

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