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Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, containing also a certain amount of new contribution to the subject, it may be of use to others. In the first two chapters I have tried to explain clearly and rather fully the possible classifications which may be made of the different factors that enter into visual tone, or what is in ordinary speech usually referred to simply as color. In the later chapters I have covered more briefly the principal possibilities in the application of these classifications to design and representation, in order to make as complete as possible an out Une of the whole subject of tone relations. In considerable part the pamphlet makes no claim to origiaality. Dr. Ross, in his epoch-making books, has discussed the subject of tone relations and the use of scaled palettes at length. As these books have in some cases, however, proved rather difficult reading for the beginner, I have attempted to explain certain elementary facts which they have taken more or less for granted especially the relation of the terminology used by Dr. Ross to other terminologies, that of Dr. Ross sclassification to other possible classifications, and the bearing of the different kinds of color mixture on these. There are some who still believe that it is unnecessary and even unwise for the painter, to say nothing of the general public, to know anything definite about the materials of the craft or the terms of the language which the painter employs. But if one compares the quality of the surface of even an average painting, dating from the XVIII century or before that time, with that of even the best paintings of the XIX or the XX century, it will be seen that Denman W. Ross: AT heory of Pure Design; On Drawing and Painting; The Painter s Palette. Houghton, Mifi BinC
(Typographical errors above are due to OCR software and don't occur in the book.)
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book explores theories of tone relations and their application to the visual arts, introducing a novel approach to tonal design in painting. It presents scales for classifying the different factors involved in visual toneâ"value, color, and intensityâ"and offers diagrams to express their relationships. These scales and diagrams provide a practical tool for artists to use in creating harmonious and balanced tonal compositions, allowing for precise and consistent measurements. The author argues that this approach can help painters achieve the beauty of performance characteristic of the Renaissance and can serve as a foundation for new and unexplored possibilities in modern art. The book's insights have the potential to revolutionize the art of painting, providing artists with a framework for understanding and manipulating tone relations in their work. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781330706367_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330706367
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330706367
Quantité disponible : 15 disponible(s)