A Guide to the Paintings in the Churches and Minor Museums of Florence: A Critical Catalogue, with Quotations from Vasari (Classic Reprint) - Couverture souple

Maud Cruttwell

Couverture souple

ISBN 10 : 1330739213 ISBN 13 : 9781330739211

Editeur : Forgotten Books, 2018

Synopsis

The digital edition of all books may be viewed on our website before purchase. Excerpt from A Guide to the Paintings in the Churches and Minor Museums of Florence: A Critical Catalogue, With Quotations From Vasari (Classic Reprint)



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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

A propos du livre

Présentation de l'éditeur

The churches of Florence date, for the most part, from before the XI century, though few show any remains of their original construction. The Baptistery (formerly the Cathedral), S. Miniato,and the Badia of Fiesole still retain their ancientyp.f, but for the most part the buildings in their present state date from the XIII and XIV centuries. These early churches were originally covered with frescoes, chiefly by Giotto and his immediate followers. They are attributed mostly to Spinello A retino, a name that has become almost a generic term for Giottesque work of the XIV century. Few of these frescoes remain. Many of them, already in a state of decay, were destroyed in the XV century to make way for new paintings. The walls of the churches of Florence are a palimpsest, and for the most part, therefore, the Giottesque frescoes are irrecoverably destroyed. Ghirlandaio, for example, painted over the half-ruined frescoes of Orcagna in the Choir of S. Maria Novella, and A lesso Baldovinetti destroyed earlier work to repaint the Choir of S. Trinita. Many,
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Présentation de l'éditeur

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Détails de l'édition

• Éditeur: Forgotten Books
• Date d'édition: 2018
• Langue: anglais
• ISBN 10: 1330739213
• ISBN 13: 9781330739211
• Reliure: Broché
• Nombre de pages: 302
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