With the present volume the subject of Instrumentation is completed. After what was said in the preface to the first volume of this work, no lengthy remarks will be needful here. The first thing to be said is, that here, more than in any other volume of this series, it has been necessary to teach by example. It will be seen, therefore that the quotations from orchestral scores occupy a far larger portion of the space than the letterpress. Merely to talk about combinations of instruments, without giving actual illustrations, would have been absolutely useless to the student. As in the preceding volume, the passages selected iiave been taken from works of the most varied style, and of different periods, from the time of Haydn down to the present day. With the exception of two passages by Bach and Handel inC hapter VII., illustrating the employment of the organ, no examples have been quoted anterior to Haydn; for it is with this composer that the modern science of orchestration may be said to begin. Though a few well-known extracts will be found among the illustrations, special effort has been made to avoid, as far as possible, hackneyed quotations, and the author believes that the very large majority of the examples given will be new to the greater number of his readers. With a view of systematizing the teaching as far as possible, the stringed orchestra is first dealt with; this subject is comparatively so simple that its treatment presented but little difficulty. In the following chapter, the management of the wind instruments a much more complicated subject is spoken ofT odo anything like justice to this question, a large number of illustrations were absolutely necessary.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This comprehensive guide to instrumentation and orchestration is intended for the student as a companion volume to the author's previous work on the technique of individual instruments. The first section of this book deals with the stringed orchestra and explores various techniques such as crossing parts, distribution of harmony, and the use of mutes. Later chapters investigate the treatment of wind instruments both in solo and tutti passages, and the management of the small orchestra relative to the full orchestra. The author discusses the complexities of balance, contrast, and colour, including the combination of the organ with the orchestra and the arrangement of music for the orchestra. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781330871249_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330871249
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781330871249
Quantité disponible : 15 disponible(s)