Excerpt from The Art of Counterpoint: And Its Application as a Decorative Principle
The appearance of a new book on Counterpoint, when there are already in existence numerous treatises on the subject, may seem to demand some justification. All books on Counterpoint must of necessity bear a certain resemblance to each other. Any difference must be sought in the point of view, in the relative prominence given to various phases of the subject, and in the treatment of detail, rather than in the statement of general truths or in novelty of arrangement. The history and the broad outlines of Counterpoint offer little scope for originality, and in these matters the present work will be found not unlike its predecessors.
The chief points of difference are: -
(a) The derivation of the rules of Scholastic Counterpoint from the practice of Palestrina, whose works exhibit the Art of Counterpoint in its perfection, rather than from a study of textbooks, the many discrepancies between which are due to the fact that theory has been built upon theory, often mingled with personal prejudice, so that the original basis of the earlier treatises has been forgotten or perhaps ignored. Little by little, harmonic resource has been restricted and melodic idiom enlarged. The result is a system of Counterpoint which has little connexion with the past and none with the present, containing a code of arbitrary rules which in many important features do not represent the technique of any period of musical art.
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Paperback. Etat : New. Print on Demand. This book delves into the fascinating world of counterpoint, a cornerstone of Western musical composition. The author takes the reader on a journey through the evolution of this art form, starting with the earliest experiments in combining melodies and culminating in the sophisticated techniques of the 16th century, epitomized by the works of Palestrina. The book emphasizes the derivation of counterpoint rules from Palestrina's practice, a departure from earlier textbooks that often relied on theoretical constructs rather than actual musical examples. The book goes beyond simply presenting rules, exploring the subtle nuances of melodic movement, rhythm, and harmony. It delves into the intricate use of unessential notes, the importance of harmonic structure, and the significance of cadence in shaping musical phrases. The author also highlights the challenges and intricacies of combined counterpoint, offering guidance for tackling complex compositions. This book offers a unique perspective on counterpoint, emphasizing the practical application of the art form and its historical context, making it an invaluable resource for aspiring musicians and those interested in gaining a deeper understanding of this fundamental musical technique. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781331932819_0
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