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Nine-tenths of the amateur scenario writers of today have studied books on the subject. Technically, a great many of the scenarios received show careful study. But most of them lack inspiration and originality. The writers have failed to make living, breathing human beings of their characters. In "Scenario Writing Today", the latest and one of the best books on the subject, Grace Lytton says: "If you can't take your characters to your heart and make living creatures of them, they will not strike the note of sympathy when they come to stand before your public."
Miss Lytton's book contains real inspiration for the amateur writers. It is more than a practical guide, and all writers both amateur and professional may profit by a reading of it.
— The Bookman, Volume 53
The book has an introduction by Florence Hull Winterburn, who says of it that it sets forth the principles of scenario writing not from a theoretical but from a practical standpoint, omitting nothing vital to the topic and dwelling with particular emphasis upon those parts o it that are most obscure to beginners. By way of illustration the author concludes her expositions by giving several brief synopses of well-known scenario stories and the continuity and scene plot of a model photoplay, “Telemachus, Friend.” Contents: ow scenario writing is different; How and where to get scenario ideas; The thought back of your story; The plot; The characters; The character cast; Locale and atmosphere; The commercial side: Titles and screen terms; The art of picturizing; What is and what is not possible on the screen; Continuity and scene plot.
— Book Review Digest, Volume 13 [1921]
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book offers a practical and insightful guide to the art of scenario writing, a skill that was just beginning to take shape in the early 20th century. The author delves into the unique characteristics of screen storytelling, highlighting its distinct differences from traditional literary writing. The book emphasizes the importance of picturing words, focusing on nouns, verbs, and adjectives as the building blocks of a compelling narrative. The author stresses the need for strong, vivid imagery and a clear understanding of the story's underlying theme or motif. The text also explores the significance of creating characters that are suitable for the screen, emphasizing the role of actions and emotions over intricate thought processes. The author provides invaluable guidance on how to find inspiration for scenario plots, drawing upon real-life experiences, news events, and literature. The book's exploration of the thought process behind a story, the importance of a clear motif, and the power of opposing forces in creating dramatic tension, provides a solid foundation for understanding the essence of storytelling. By offering a unique perspective on scenario writing, the book delves into the core elements of story construction, making it an essential resource for aspiring screenwriters. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781332068074_0
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781332068074
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781332068074
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