The digital edition of all books may be viewed on our website before purchase. Excerpt from Stories of the Wagner Opera (Classic Reprint)
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Wagner was greatly troubled in the beginning of his career about the choice of subjects for his operas. His first famous work, ‘Rienzi,’ is founded upon the same historical basis as Bulwer's novel bearing the same name, and is a tragic opera in five acts. The composer wrote the poem and the first two acts of the score in 1838, during his residence at Riga, and from there carried it with him to Boulogne. There he had an interview with Meyerbeer, after his memorable sea journey. Wagner submitted his libretto and the score for the first acts to that famous composer, who is reported to have said, ‘Rienzi is the best opera-book extant,’ and who gave him introductions to musical directors and publishers in Paris. In spite of this encouraging verdict on Meyerbeer's part, Wagner soon discovered that there was no chance of success for ‘Rienzi’ in France, and, after completing the score while dwelling at Meudon, he forwarded it in 1841 to Dresden. Here the opera found friends in the tenor Tichatscheck and the chorus-master Fisher, and when it was produced in 1842 it was received with great enthusiasm. The opera, which gave ample opportunity for great scenic display, was so long, however, that the first representation lasted from six o'clock to midnight. But when Wagner would fain have made excisions, the artists themselves strenuously opposed him, and preferred to give the opera in two successive evenings. At the third representation Wagner himself conducted with such success that ‘he was the hero of the day.’ This great triumph was reviewed with envy by the admirers of the Italian school of music, and some critics went so far in their partisanship as to denounce the score as ‘blatant, and at times almost vulgar.’ Notwithstanding these adverse criticisms, the opera continued to be played with much success at Dresden, and was produced at Berlin some years later, and at Vienna in 1871.
CONTENTS Rienzi, the Last of the Tribunes The Flying Dutchman Tannhäuser Lohengrin Tristan and Ysolde The Master-Singers of Nuremberg The Nibelung's Ring: Rheingold; The Walkyrie; Siegfried; Dusk of the Gods Parsifal
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Paperback. Etat : New. Print on Demand. This book presents a unique analysis of the great composer Richard Wagner's most celebrated works. It examines each opera through the lens of its historical context, thematic depth, and musical innovation. The author positions Wagner within the broader Romantic movement, highlighting his groundbreaking contributions to the development of opera. They explore the leitmotif technique, the use of leitmotifs as musical themes associated with specific characters, objects, or ideas, and the Gesamtkunstwerk concept, the fusion of various art forms into a single, cohesive experience. The book delves into Wagner's complex and often controversial ideas about myth, religion, and society. It discusses how these ideas shaped his operas, examining the recurring themes of love, redemption, and the search for meaning in a chaotic world. Through detailed analysis of each opera's libretto and score, the author provides fresh insights into Wagner's musical genius. They explore the intricate orchestration, the use of leitmotifs to create a sense of unity and emotional depth and the dramatic power of his vocal writing. This book is a valuable resource for anyone interested in Wagner's operas, providing a comprehensive and engaging exploration of their historical, thematic, and musical significance. It offers a deep understanding of Wagner's creative vision and his lasting impact on the world of music and opera. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781332069866_0
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