Articles liés à China and Pottery Marks (Classic Reprint)

China and Pottery Marks (Classic Reprint) - Couverture souple

Gilman Collamore And Co;, Inc

 
9781332912650: China and Pottery Marks (Classic Reprint)

Synopsis

Excerpt from China and Pottery Marks

The signatures or mark which the master craftsmen in earth or clay signed their products, just as a painter signs his work, were often specially designed devices of various kinds, often a combination of initials and dates. Each fabrique mark stands for a certain potter''s art just as the modern trade-mark.

Beginning more than a half century ago in the old La Farge House in lower Broadway (where John La Farge was born) the house of Gilman Collamore and Company has done much to develop an appreciation of fine china in America. It was one of the first houses to bring over from England and France china, both modern and old, for its American clients. At this time many fine speci mens of old china are on view as well as complete stocks from the modern English and Continental manufacture.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Présentation de l'éditeur

China and Pottery Marks by Unknown Antique Marks for Pottery-Porcelain Quick Guide From early days when the ancients showed their appreciation of fine pottery and old glassware by burying “these most esteemed possessions” with the dead, fine china has been synonymous with culture and breeding. With our ancestors for generations we share the tradition that, just as first editions give prestige to one’s book shelves, old china or the finest work of the modern kilns express readily that good taste and discrimination that is characteristic of our old families. A wealth of association and historic data is to be acquired from the study of the “fabrique marks” and periods of the master craftsmen. If in America there was a general tendency toward acquiring, even a smattering, of this knowledge, there would be less of these drawing-room atrocities which Arthur Hayden in his “Chats on English Earthenware” points out, “To have a modern set of vases adorning a Georgian cabinet is like putting new wine in old bottles.”

Biographie de l'auteur

Gilman, Collamore & Co., inc

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