In his essay on Dryden, Macaulay incidentally characterizes the English Bible as a book which, if everything else in our language should perish would alone suffice to show the whole extent of its beauty and power. The statement carries more of accuracy than of hyperbole. For the English Bible contains almost every species of literature and contains each species in varied forms. The historic books are fine examples of simple narration. They are impartial and objective in quality and often dramatic, vivid, and picturesque. They run the whole scale from the naive biographies of the patriarchs to the dignified annals of the Kings. The prophets afford examples of eloquence which in richness of diction, in pathos, and in austere rebuke have never been surpassed. The lyric outbursts of the Psalms compare favorably with any other similar utterance of the troubled or gladdened heart. The idyl of Ruth was included in one of the volumes of Little Classics by a critical editor whose selections were much commended. A mong elegies the Lamentations of Jeremiah have a secure position. Popular and laconic wisdom is constantly quoted from the book of Proverbs. Ecclesiastes is a philosophic meditation. Job is an Epic, The Epic of the Inner Life as Prof. Genung styles it. And finally, the Song of Songs reveals something very much like the shifting scenes and dialogues of the drama. Many biblical critics place it in that class. If we take into consideration the various general qualities of literature, the Bible still affords a broad vision. W. Trail, in his Literary Characteristics and Achievements of the Bible,1 devotes instructive chapters, each with numerous sub-headings, to The Figurative, The Sublime, The Pathetic, The Picturesque, and The Poetic in the Scriptures. A still further corn Cincinnati, 1864.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Paperback. Etat : New. Print on Demand. This book presents a thorough analysis of the biblical references used throughout the illustrious career of famed poet, Lord Tennyson. The author provides detailed chronological tables listing biblical books, chapters and verses, as well as their corresponding location within Tennyson's poetry. Through this meticulously gathered information, the author draws attention to Tennyson's distinct methods of employing the Bible for artistic purposes, thereby contributing to the broader discussion of biblical influence on English literature. This literary study goes beyond the mere identification of biblical references, examining the various rhetorical devices and creative techniques through which Tennyson breathes new life and beauty into scriptural language. The author also identifies six distinct periods in Tennyson's literary career, each marked by unique nuances in his use of the Bible. The book's insights on Tennyson's evolving relationship with the Bible offer a valuable resource for scholars and enthusiasts alike, illuminating the dynamic interplay between faith, poetic expression, and the ever-changing artistic vision of a literary giant. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781333385361_0
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Etat : New. KlappentextrnrnExcerpt from Tennyson s Use of the BibleIn his essay on Dryden, Macaulay incidentally characterizes the English Bible as a book which, if everything else in our language should perish would alone suffice to show the whole . N° de réf. du vendeur 2148046144
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