The Priscilla Hardanger Book: A Collection of Beautiful Designs in Hardanger Embroidery; With Lessons and Stitches (Classic Reprint) - Couverture souple

Nellie Clarke Brown

 
9781333568689: The Priscilla Hardanger Book: A Collection of Beautiful Designs in Hardanger Embroidery; With Lessons and Stitches (Classic Reprint)

Synopsis

Excerpt from The Priscilla Hardanger Book: A Collection of Beautiful Designs in Hardanger Embroidery; With Lessons and Stitches

As the square is the principle upon which Hardanger embroidery is based, any fabric woven with a square mesh so that warp and filling are the same size may be used. When the threads are drawn, a per feet square must always result. Hardanger canvas, manufactured especially for the purpose, is most commonly used, and the various sizes of scrim and Congress canvas are also suitable. Many dress materials are adapted to this work, and the possibilities of Hardanger embroidery directly upon the fabric of the dress, and worked in the same or harmonizing colors, is especially alluring to the feminine mind.

The uses to which this beautiful embroidery may be put are many. With the Norwegian woman the apron is a most important part of her wardrobe, and this she decorates most elaborately. Hardanger embroidery makes an excellent decoration for curtains, portieres, and bed-spreads. It is a beautiful ornamentation for lunch-cloths, sideboard scarfs, buffet-covers, tray-cloths, bags, collars and cuffs, belts, blouses, towels, centrepieces, pillow-covers, and gowns. One pretty con ceit is the little Hardanger medallion used as the cover for button molds.

When undertaking a piece of Hardanger embroidery the first thing to be done is to deeply overcast the edges of the canvas to prevent fraying. All work must be embroidered before any threads are cut. To cut and draw out the threads and then attempt to embroider is to invite trouble and disaster. The canvas edges will ravel, the working thread will not lie in the proper position, and the cut edges will catch the thread to its injury.

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Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Présentation de l'éditeur

This reproduction was printed from a digital file created at the Library of Congress as part of an extensive scanning effort started with a generous donation from the Alfred P. Sloan Foundation. The Library is pleased to offer much of its public domain holdings free of charge online and at a modest price in this printed format. Seeing these older volumes from our collections rediscovered by new generations of readers renews our own passion for books and scholarship.

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