Nature Drawing and Design, Vol. 1 of 2 (Classic Reprint) - Couverture souple

Frank Steeley

 
9781333784430: Nature Drawing and Design, Vol. 1 of 2 (Classic Reprint)

Synopsis

Excerpt from Nature Drawing and DesignAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books.This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

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Présentation de l'éditeur

The object of these books has been already thoroughly described ;how to use them to tinfull advantage, and how to obtain the best results, is a matter of much greater importance, and tinfollowing suggestions are, therefore, offered for the students guidance. In the first place, the Nature Drawings may be considered simply as Freehand examples to I ncopied and finished in pencil outline, or sketched in pencil, and finished with a pen or brush outline, and should be drawn larger than the example in every case. Plate I. of Book I. has the chief figure drawn in a broader line than the other plates. This is done in order to show the strength to aim at for a brush-line, and the variations of thickness so readily obtained by the flexible or soft point. When finishing with a pen, the student can mcxlify the breadth of line by increasing the pressure, or by using different pens; for instance, a quill, or a round or ball-pointed pen, will give a fairly uniform line ;while with an ordinary writing pen used in the same manner as a pencil by holding it at right angles to the line the finest touches and strokes can be produced, or broad ones may be obtained by allowing the pen to follow the direction of the line. For this class of work it is not advisable, however, to use the pen with a continuous pressure of ffill strength, or the result will be a broad line similar to the upright strokes of ordinary writing. This method beomnefl very irksome, and necessitates turning the paper in all directions to adjust the pen to the line. There is a distinct gain in the use of a pen or brush outline as compared with pencil work, for this reason, ink and colour ate permanent, and when employed, definitely fix the drawing. They can be drawn over the sketching and construction lines, and, when thoroughly dry, all superfluous pencil work can easily be erased. Before finishing with a penc
(Typographical errors above are due to OCR software and don't occur in the book.)

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Autres éditions populaires du même titre

9780331854602: Nature Drawing and Design, Vol. 1 of 2 (Classic Reprint)

Edition présentée

ISBN 10 :  0331854600 ISBN 13 :  9780331854602
Editeur : Forgotten Books, 2018
Couverture rigide