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Counterpoint have already appeared. It has been the authors conviction, in teaching his own pupils, that far more practical good would accrue to the learner if much of the attention and time generally devoted to the working of countless exercises in Strict Counterpoint were to be given to a closer and more intelligent study of the Free Style, as exemplified in the works of composers from the time of Purcell, Bach, and Handel down to the present day. The author does not by this mean that the practice of so-called Strict Counterpoint should be entirely given up; on the contrary, he is deeply sensible that its restrictions are very valuable in the early stages of the students work. What he would very strongly urge though, is that it should be merely preparatory to a much more extended consideration of the Free Style. The present treatise therefore deals first with Strict, and later with Free Counterpoint; and here it should be stated, once for all, that the object of the former is not (as would often seem to be the case) to train the student to write in the idiom of a bygone age; but, by causing him to work within certain melodic and harmonic limits, to impart to him a strength and facility which cannot be attained otherwise. Strict Counterpoint does this in a two-fold manner (i.) By being purely Diatcnic in its character; forming by this means the only sure foundation upon which the beginner can cultivate a natural, flowing style. (ii.) By excluding essential discords; by which the complexity of the students first exercises is materially lessened, enabling him to give the greater attention to the melodic aspect of his part-writing, besides giving him invaluable experience in the treatment of those harmonies which are not governed by fixed laws of progression, c., viz., the Concordant Triads; and, as every teacher knows, it is in this very direction that the le
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book provides a thorough introduction to counterpoint, an advanced musical technique characterized by combining melodies such that they sound harmonious when played together. The author, an experienced composer and teacher, meticulously explains the fundamental principles and techniques of strict and free counterpoint, ensuring that readers develop a deep understanding of this complex musical form. The book includes numerous musical examples, exercises, and models, guiding readers through the practical application of counterpoint rules. By exploring the progression of parts, melodic and harmonic progressions, and cadences, the author illuminates the nuances of counterpoint. Whether you're a student, composer, or music enthusiast, this book offers a comprehensive roadmap to mastering the art of counterpoint, an indispensable skill for creating sophisticated and captivating musical compositions. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781333793203_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781333793203
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781333793203
Quantité disponible : 15 disponible(s)