The Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music: Issued Originally in the Year 1858 (Classic Reprint) - Couverture souple

Curwen, John

 
9781333794330: The Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music: Issued Originally in the Year 1858 (Classic Reprint)

Synopsis

The digital edition of all books may be viewed on our website before purchase. Excerpt from The Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music



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Présentation de l'éditeur

Xll THE STANDARD COURSE. SYNOPSIS OF THE STAFF NOTATION. EXAMPLES OF TONIC SOL-FAING FROM THE STAFF. .E x. 1. Ex. 2. Ex. 3. rg-~ ma: E~d:a zzgzzdazz LQ a sl~ sl sip: ONE PULSE. rM inim. tC rotchet. iQ uaver. TABLE OF LENGTH AND NAMES OF NOTES. Two PULSES. THREE PULSES. FOUR PULSES. HALF-PULSES. Semibreve. Dotted Semibreve. Breve. Two Crotchets. rr ci Minim. Dotted Minim. Semibreve. Two Quavers. rr rC rotchet. Dotted Crotchet. Minim. Tvo Semiquavers. TIME SIGNATURES. Two figures are placed at the beginning of each piece of music, one above the other, called the Time Signature. The upper figure indicates the number of pulses in each measure, and the lower shows which kind of note Crotchet, Minim, c. stands for a pulse. This lower figure is necessary, because of the several ways of representing a pulse. In Time Signatures the following figures represent the several notes :C rotchet 4. Minim =2. Quaver =8. Longer and shorter notes are not commonly used to represent a pulse. Examples: Two Three Three Crotchets. Crotchets. Quavers. Three Two Minims. Minims. Four Six Six Four Minims. Quavers. Crotchets. Crotchets. The two letters Cwhich stand at the end of the line mean Common Time i.e., four-pulse measure. The second, with a line through it, denotes a quicker rate of movement in the same measure. Sometimes it merely denotes two-pulse measure. Six-eight measure, oung quickly, is allied to two-four measure; it contains two pulses divided into thirds.
(Typographical errors above are due to OCR software and don't occur in the book.)

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Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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