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The Rise of Cubism (Classic Reprint) - Couverture souple

Huntington, Ellsworth

 
9781334043086: The Rise of Cubism (Classic Reprint)

Synopsis

Discover how Cubism transformed modern painting by turning objects, space, and color into a new kind of inquiry.

This introductory study excavates the ideas behind Cubism, tracing its move from a careful, object-centered approach to a language that treats memory, perception, and form as interwoven. It explains how artists like Picasso, Braque, and Leger reimagined space, replaced illusion with a coordinated scheme of forms, and used real objects to stimulate recognition in the viewer. The book also places Cubism in dialogue with other movements, from Futurism to non-objective painting, showing how the new language opened painting to fresh possibilities.

  • Learn how Cubism redefines space and form, and why color moved from expression to integration within the work.
  • See how real objects were introduced into painting to fuse memory images with abstract structures.
  • Explore the evolving relationships among Picasso, Braque, and Leger, and what each contributed to the movement.
  • Contextual background on related movements and debates in early 20th-century art.
Ideal for readers of art history, modern art, and anyone curious about how a radical shift in perception reshaped painting.

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Excerpt from Rise of Cubism

Impressionism rejuvenated painting; it brightened the palette and broke with old superfluous laws. Its goal, however, was too limited to suffice for more than one generation. With it, illusionism appeared as one last burst of color pyro technics, sputtered and extinguished itself.

The period following Impressionism must be described as lyric, not lyric in the literary sense of mood, but lyric in the pain'terly sense of form. The purpose of recording history, which painting had fulfilled before Masaccio in a narrative fashion and after him in a dramatic fashion, had vanished.

And for that reason painting in our time has become lyric, its stimulus the pure intense delight in the beauty of things. Lyric painting celebrates this beauty without epic or dramatic overtones. It strives to capture this beauty in the unity of the work of art. The nature of the new painting is clearly characterized as representational as well as structural: representational in that it tries to repro duce the formal beauty of things; structural in its attempt to grasp the meaning of this formal beauty in the painting.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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