The digital edition of all books may be viewed on our website before purchase. Excerpt from Some Notes on Shakespeare's Stage and Plays
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Greek orR oman stage ;it embodies the varied conditions under which the public exhibitions of the day were given. For centuries the people had been accustomed to dramatic entertainments illustrating incidents from Scripture history and legends of the Church. These were performed without break or pause in the action from beginning to end, while at the same time they were devoid of plot and dramatic sequence ;yet this very failing gave the construction of Elizabethan drama its special charactef which, with one or two notable exceptions, was never characterized by skill in the development of the story. While on the other hand, the popular support of amusements that were merely a series of loosely connected incidents encouraged poet-dramatists to adopt a liberty in treatment and variety of subject altogether forbidden in classical drama. The ascendency of the native drama determined those playwrights who, while scholars, were yet men of the world, and deeply imbued with the spirit of the nation and of the age, to abandon the classical form of play emd model their work upon that which public taste demanded. These brought their classical learning to bear upon the popular plays, and, while retaining the freedom of treatment allowed in them, aimed at greater coherency and stronger characterization. Yet Elizabethan drama would still have remained indistinctive but for the genius of Marlowe, who, seeing the possibilities that were presented in the peoples drama, transfigured and recreated its form of expression so that it became a means of inspiration for future poets. And among others to Shakespeare, who gave unity of design and a continuity of interest that was planned on a philosophical basis, thus securing forE lizabethan drama a fame as great as that achieved by the Greek dramatists. Naturally, there were scholars of the day who still preferred the classical imit
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book focuses on the English plays and playhouses of the Elizabethan era, born out of theatrical traditions of the people rather than the English court. The author traces the development of the Elizabethan playhouse, from its origins in medieval street theater to the construction of the rst purpose -built playhouses. He also explores the dramatic structure of Elizabethan plays, which were written without acts and scenes and relied heavily on a continuous and rapid -paced action. The author argues that the unique construction of the Elizabethan stage and the absence of scenery allowed for a realism of action and a concentration on character and dialogue that is unattainable in modern theaters. This book is greatly researched and informative, offering unique insights into the world of Elizabethan theater and the plays that were performed there. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781334051470_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781334051470
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781334051470
Quantité disponible : 15 disponible(s)