A Musique Et l'Oreille (Classic Reprint): Bases Rationnelles de la Musique, le Faux Pas de l'Art Nouveau, ou Musique Dite de l'Avenir - Couverture souple

Name: A Musique Et l'Oreille (Classic Reprint): Bases Rationnelles de la Musique, le Faux Pas de l'Art Nouveau, ou Musique Dite de l'Avenir
Author: Danion, L.
ISBN: 9781334631962

Danion, L.

9781334631962: A Musique Et l'Oreille (Classic Reprint): Bases Rationnelles de la Musique, le Faux Pas de l'Art Nouveau, ou Musique Dite de l'Avenir

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ISBN 10 : 1334631964 ISBN 13 : 9781334631962

Editeur : Forgotten Books, 2018

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This book investigates how the development of music has been intertwined with the evolution of the human ear and explores the reasons why music existed exclusively in the form of melody for nearly two millennia, up until the 9th century CE. The author examines the nature of the connection between speech and song, proposing that music arose as an extension of verbal communication. They posit that melody represents the original form of music, given the constraints of prehistoric instruments and the limitations of the human ear at the time. The text also analyzes the factors that contributed to the emergence of harmony, the use of multiple notes played simultaneously, in the 9th century. Through a comprehensive examination of ancient musical practices, instruments, and notation systems, the author unravels the historical evolution of music and the profound influence that the human ear has had on its development.

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�diteur: Forgotten Books
Date d'�dition: 2018
Langue: fran�ais
ISBN 10: 1334631964
ISBN 13: 9781334631962
Reliure: Broch�
Nombre de pages: 443
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A Musique Et l'Oreille (Classic Reprint)

L. Danion

Edit� par Forgotten Books, 2018

ISBN 10 : 1334631964 ISBN 13 : 9781334631962

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Vendeur : Forgotten Books, London, Royaume-Uni

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Paperback. Etat : New. Print on Demand. This book investigates how the development of music has been intertwined with the evolution of the human ear and explores the reasons why music existed exclusively in the form of melody for nearly two millennia, up until the 9th century CE. The author examines the nature of the connection between speech and song, proposing that music arose as an extension of verbal communication. They posit that melody represents the original form of music, given the constraints of prehistoric instruments and the limitations of the human ear at the time. The text also analyzes the factors that contributed to the emergence of harmony, the use of multiple notes played simultaneously, in the 9th century. Through a comprehensive examination of ancient musical practices, instruments, and notation systems, the author unravels the historical evolution of music and the profound influence that the human ear has had on its development. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N� de r�f. du vendeur 9781334631962_0

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