Donatello (Classic Reprint) - Couverture souple

Donatello, Donatello

 
9781334685972: Donatello (Classic Reprint)

Synopsis

The digital edition of all books may be viewed on our website before purchase. Excerpt from Donatello



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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

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Présentation de l'éditeur

Donato tii liccolo 0i 25etto 2arlii CALLED Bottatello BORN 1386: DIED 1466 FLORENTINE SCHOOL THE sculptor Donate diN iccolo di Betto Bardi, better known by the affectionate diminutive Donatello, or little Donato, given him by his contemporaries, was born in the city ofF lorence, probably in the year 1386. His father, Niccolo di Betto Bardi, a wool-carder by trade, was exiled from Florence on account of unlucky participation in civic politics, and the boy was befriended by the noble family of theM artelli, in whose household he was brought up from early childhood, and to whom he endeared himself by his loving and lovable disposition, his industry, and his fondness for study. Like many other Florentine artists, Donatello began his career in a goldsmiths shop; but the story told by Vasari of his boyhood shows that even at an early age he had turned his attention to sculpture. Having stated thatD onatello produced many works in his youth, but because they were many they were not considered to be of any great account, the old chronicler goes on to say: For the Church of Santa Croce in Florence he executed aC rucifix in wood on which he bestowed extraordinary labor; and when the work was completed, believing himself to have produced an admirable thing, he showed it to Filippo Brunelleschi, his most intimate friend, desiring to have his opinion of it. Filippo, who had expected from the words of Donatello to see a much finer production, smiled somewhat as he regarded it, and Donatello seeing this entreated him, by the friendship existing between them, to say what he thought of it. Whereupon Filippo, who was exceedingly frank, replied thatD onatello appeared to him to have placed a peasant on the cross, and not a figure resembling that of Christ. Donatello hearing himself censured where he had expected praise, and more hurt than he was perhaps willing to admit, repli
(Typographical errors above are due to OCR software and don't occur in the book.)

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