The Victrola Book of the Opera: Stories of the Operas with Illustrations and Descriptions of Victor Opera Records - Couverture rigide
Présentation de l'éditeur
Vasco beore the Council A ct IS cene in the Prison A ct II SCENES FROM LAFRICAINE The Massacre A ct III (I talian) LAFRICANA (L af-ree-kah -no A) The Indian Paradise A ct IV The Fatal Tree A ct V(F rench) LAFRICAINE (L af-ree-kahn) OPERA IN FIVE ACTS Text by Scribe ;music by Meyerbeer. First produced at the Ope ra, Paris, A pril 28, 1865, with a cast including Sasse, Batteo, Naudin and Faure. First London performance in I talian, under the French title, at Covent Garden, July 22, 1865 ;and in English at the Royal English Opera, Covent Garden, October 21, 1865. First American production December 1, 1865. Mmes. Hauk, Moran-O lden, Bettaque, Breval, Nordica and Litvinne are some of the famous prima donne who have appeared as Selila in A merica. Vasco di Gama has been sung by Campanini, Giannini, Perotti, Grienauer, Dippel, de Reszke and Tamagno; and Nelusko by Faure, Scotti, Stracciari and Campanari. Produced at the New Orleans Opera December 18, 1869. Important New York revivals occurred in 1901 with Breval, de Reszke, A dams, Plancon and Journet; and in 1906 with Caruso (his first appearance in the role), Fremstad, Plancon and Journet. Strangely enough, Scribe gave Meyerbeer the libretto in 1838, and part of the music was written then, but the two could not agree as to alterations, and it was not until 1852 that Scribe furnished a revised book. The work was not completed until 1860, nor produced until 1865, two years after Meyerbeer sdeath.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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