This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
By the time Joseph Conrad (1857–1924) produced this novel in 1907, terrorism had torn its way through London: Victoria station had been partially destroyed, the House of Commons damaged, and Scotland Yard attacked with dynamite. Conrad's story is set in 1886, at the height of these troubles, and was inspired by the 1894 attempt to bomb Greenwich Observatory. Written just after Nostromo (1904), it is a marked departure from Conrad's usual seafaring form and plunges the reader into the claustrophobic, grimy world of late nineteenth-century London. Mr Adolf Verloc - anarchist, spy, and purveyor of pornographic material - heads a cast of shadowy characters all affected directly or indirectly by the anarchist organisation to which he belongs. Although critics acknowledged its power, the novel and its dark subject matter were uneasily received in Conrad's lifetime. This reissue of the first edition confirms the book's place as a classic of twentieth-century fiction.
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