Présentation de l'éditeur
Those marked are from drawings by MR G. H. R. WATSON. Portrait of the Author Frontispiece Carlisle Cathedral, theE ast Window .. Facing page 4T ower of St Patroclus, Soe st, Westphalia .,, 14 Fa$ade of Monza Cathedral (I talian Gothic of the Fourteenth Century in Brick and Marble) .,, 18 Cathedral ofT orcello (I talian Romanesque of theB eginning of theE leventh Century) .,,24 Rome, Basilica of Sta Maria Maggiore .,,32 Rome, Basilica of San Clemente ... ,, 34 Ravenna, Nave of Sant A pollinare Nuovo (S ixth Century) ,, 36 Octagon of theD om, A ix-la-C hapelle (A.D. 796- 804) 42 Apse of Sta Maria Maggiore, Bergamo (R omanesque Style of Lombardy) .... ,, 51 Norwich Cathedral, theN ave (A nglo-N ormanS tyle) .54 Peterborough Cathedral, the Choir (A ngloN ormanS tyle) ,, 58 Chapel of St John in the Tower of London (A nglo-N ormanS tyle) ,, 6a Spanish Romanesque Capitals at Tarragona .,, 64 The Nave, Tournai Cathedral (R omanesque of Belgium) ,,68 Crypt at Gollingen (R omanesque of Saxony) .,, 68 Details of the A nglo-N orman and Transition Periods ,, 70 Oxford Cathedral, the Choir (late A ngloN orman) .......
(Typographical errors above are due to OCR software and don't occur in the book.)
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Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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