Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
Présentation de l'éditeur
Deals with rhythm as a means of expression.
"To prove this assertion is the main object of Mr. Williams' book. He has much to say about accents, phrasing, anacrusis, tempo, pauses, rests, staccato, rubato, and divers other points; but the value of his volume lies chiefly in the emphasizing of this expressional aspect of rhythm. Players will find this book a valuable aid to the appreciation of modern music."
— The Nation
"His book is both clever and instructive."
— The Athenæum
"That it will be useful to students is more than we care to say, and of course, it is far beyond the grasp of most amateurs."
— Saturday Review
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