Présentation de l'éditeur
Since then it has been constantly cited as an authority by writers on Italian art who call it the work of the A nonimo. There has been a great deal of controversy as to who was the writer of the manuscript, but the problem of its authorship has never been solved. The A bate Morelli at first held to the opinion that it was the work of a Paduan rather than of a Venetian, and to substantiate his contention he stated that much more reference was made in it to works which were in Padua than to objects of art in any other cities. He also based certain arguments upon the facts that the authorities of Venice were styled Signori Veneziani, a manner of address which was common in the sister republic of Padua; that a certain local word, orevexe, then and still used only in Padua, instead of the more usual term orefice, was used in the manuscript; that reference was made to certain letters of Gerolama Campagnola and to certain conversations with the sculptor Riccio, who were Paduans, and that the first and most important part of the work had reference solely toP
(Typographical errors above are due to OCR software and don't occur in the book.)
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