Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
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Adrian Curtin is Lecturer in the Drama department at the University of Exeter, UK.
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Paperback. Etat : New. 1st ed. 2014. Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. N° de réf. du vendeur LU-9781349459063
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Paperback. Etat : new. Paperback. Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781349459063
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Paperback. Etat : New. 1st ed. 2014. Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. N° de réf. du vendeur LU-9781349459063
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Etat : New. Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. Series: Avant-Gardes in Performance. Num Pages: 260 pages, 12 black & white illustrations, biography. BIC Classification: AB; AN; APF; AS; HBL; HBTB. Category: (G) General (US: Trade). Dimension: 216 x 140 x 15. Weight in Grams: 353. . 2014. 1st ed. 2014. paperback. . . . . N° de réf. du vendeur V9781349459063
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