Articles liés à Networked Music Cultures: Contemporary Approaches,...

Networked Music Cultures: Contemporary Approaches, Emerging Issues - Couverture souple

Livre 11 sur 25: Pop Music, Culture and Identity
 
9781349844869: Networked Music Cultures: Contemporary Approaches, Emerging Issues

Synopsis

Editors' Introduction - Raphaël Nowak and Andrew Whelan.- 1.The People's Mixtape: Peer-to-Peer File Sharing Without the Internet in Contemporary Cuba - Tom Astley.- 2.Musica Analytica: The Datafication of Listening - Robert Prey.- 3.The Legacy of Napster - Matthew David.- 4.Streaming Music in Japan: Corporate Cultures as Determinants of Listening Practice - Noriko Manabe.- 5.Making Sense of Acquiring Music in Mexico City - Víctor Ávila-Torres.- 6.Reading Songs, Experiencing Music: Co-creation, Materiality and Expertise in Beck's Song Reader - Antoni Roig and Gemma San Cornelio.- 7.The Digital Music Boundary Object - Raphaël Nowak and Andrew Whelan.- 8.'A Step Back to the Dark Ages of the Music Industry': Experiencing the Democratization of Record Production and Discourses on Spotify in the Finnish Music Industries Communication Group 'Kuka Mitä Häh?' - Juho Kaitajärvi-Tiekso.- 9.Off the Charts: The Implications of Incorporating Streaming Data into the Charts - Steve Collins and Pat O'Grady.- 10.Rethinking the Digital Playlist: Mixtapes, Nostalgia, and Emotionally Durable Design - Kieran Fenby-Hulse.- 11.A Song for Ireland? Policy Discourse and Wealth Generation in the Music Industry in the Context of Digital Upheavals and Economic Crisis - Jim Rogers and Anthony Cawley.- 12.Pachelbel this Ain't: Mashups and Canon (De)formation - Anthony Cushing .- 13.Streaming the Everyday Life - Anja Nylund Hagen

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Raphael Nowak is a cultural sociologist interested in issues of music consumption and technologies. He currently teaches in popular music, social theory and cultural sociology at the University of Bristol, UK. He published his first manuscript Consuming Music in the Digital Age in 2015 with Palgrave Macmillan.
Andrew Whelan is a sociologist based at the University of Wollongong in New South Wales, Australia. He has published previously on digital media, Australian media regulation policy, 'extreme' music and underground electronic music subcultures, peer-to-peer file-sharing and online interaction about music.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.