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Nomadic Theatre: Mobilizing Theory and Practice on the European Stage - Couverture rigide

Nibbelink, Dr Liesbeth Groot

 
9781350051034: Nomadic Theatre: Mobilizing Theory and Practice on the European Stage

Synopsis

This study introduces the concept of 'nomadic theatre' as a tool for analysing ambulatory, mobile performances and performative installations. It includes detailed analysis of contemporary performance practices by leading European artists.

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À propos des auteurs

Liesbeth Groot Nibbelink is a Lecturer and Researcher in Theatre Studies at Utrecht University, The Netherlands. Her work has been published in Performance Research and in Mapping Intermediality in Performance (ed. Bay-Cheng et al, 2010) and in Contemporary Theatre Review.

Professor Adrian Kear is Programme Development Director, Performance Arts, at Wimbledon College of Arts, University of the Arts London, UK. His books include: Theatre and Event: Staging the European Century (2013); International Politics and Performance: Critical Aesthetics and Creative Practice (with Jenny Edkins) (2013); On Appearance (with Richard Gough) (2008); Psychoanalysis and Performance (with Patrick Campbell)(2001).

Heike Roms is Professor in Theatre and Performance at the University of Exeter, UK. Her books include: Silent Explosion (2015) and Contesting Performance - Global Sites of Research (co-edited with Jon McKenzie and C.J.W.-L. Wee, 2010). Her research into the history and historiography of early performance art won the David Bradby TaPRA Award for Outstanding Research in International Theatre and Performance 2011.

Joe Kelleher is Emeritus Professor of Theatre and Performance at Roehampton University, UK.

Maaike Bleeker is a Professor and the Chair of Theatre Studies at Utrecht University, Netherlands. She is President of Performance Studies international, a Member of the International Advisory Board of Maska (Ljubljana) and of Inflexions: A Journal of Research-Creation (Montreal). Her publications include: Visuality in the Theatre: The Locus of Looking (2008); Anatomy Live: Performance and the Operating Theatre (2008); BodyCheck: Relocating the Body in Contemporary Performing Arts (with Stephen DeBelder, et al).

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