An introduction to the cultural history of jingju, from its origin to the present, with case studies demonstrating its practice and aesthetics.
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Xing Fan is Associate Professor of Asian Theatre and Performance Studies in the Centre for Drama, Theatre, and Performance Studies at the University of Toronto, Canada. A specialist in Chinese drama, theatre, and performance culture, she received training in jingju acting at the Academy of Chinese Traditional Theatre and the University of Hawai'i at Manoa.
SIMON SHEPHERD is Professor of Theatre and Deputy Principal (Academic) at the Central School of Speech and Drama, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history. It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritage of Humanity. This book traces jingjus history through three lenses. Firstly, it introduces the stage practices that shape a jingju productionincluding the use of music, acting style, visual components and staging, and dramatic narrativeand details for the reader the practitioners experience during the developmental creative process, in rehearsals and behind the curtain. Secondly, it illustrates jingjus development with close analyses of case studies, and sheds light on the process of jingjus transformation into its contemporary form. Lastly, it defines and interprets jingjus notion of the beautiful and how this sense of beauty is communicated through stylization. An introduction to the cultural history of jingju, from its origin to the present, with case studies demonstrating its practice and aesthetics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350174689
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Hardcover. Etat : new. Hardcover. This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history. It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritage of Humanity. This book traces jingjus history through three lenses. Firstly, it introduces the stage practices that shape a jingju productionincluding the use of music, acting style, visual components and staging, and dramatic narrativeand details for the reader the practitioners experience during the developmental creative process, in rehearsals and behind the curtain. Secondly, it illustrates jingjus development with close analyses of case studies, and sheds light on the process of jingjus transformation into its contemporary form. Lastly, it defines and interprets jingjus notion of the beautiful and how this sense of beauty is communicated through stylization. An introduction to the cultural history of jingju, from its origin to the present, with case studies demonstrating its practice and aesthetics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781350174689
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