Articles liés à Fashion, Identity, Image
Synopsis
Uses influential fashion collections and shows to explore the huge shifts in identity, body politics, representation and authenticity in relation to clothing in Britain, Europe and America over the last 30 years.
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À propos des auteurs
Paul Jobling is Visiting Professor, MA Fashion Studies, Parsons New School, Paris, France. He is the author of Man Appeal (Berg, 2005).
Philippa Nesbitt is a PhD candidate in Communication and Culture at Toronto Metropolitan University, and holds an MA in Fashion Studies from The New School, Parsons Paris. Her research explores the representations and experiences of multiply-marginalized people within the contemporary global fashion industry and evaluates fashion as a tool for social change.
Angelene Wong earned her PhD at the School of Art, Design and Media at Nanyang Technological University, Singapore. She is the co-author of Fashion, Identity, Image (Bloomsbury 2022).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Fashion, Identity, Image
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Paperback. Etat : New. How has the fashion industry responded to turn-of-the-millennium non-binary identities? Do they have a supportive or exploitative relationship with queer, trans and ageing subjects? Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020. Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri's 'We Should All Be Feminists' catwalk show for Dior (Spring-Summer 2017), Alexander McQueen's 'The Widows of Culloden' collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015. Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele's cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède's Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, DandG and American Apparel. N° de réf. du vendeur LU-9781350183209
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Paperback. Etat : new. Paperback. How has the fashion industry responded to turn-of-the-millennium non-binary identities? Do they have a supportive or exploitative relationship with queer, trans and ageing subjects? Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuris We Should All Be Feminists catwalk show for Dior (Spring-Summer 2017), Alexander McQueens The Widows of Culloden collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015. Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Micheles cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougaredes Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel. "Uses influential fashion collections and shows to explore the huge shifts in identity, body politics, representation and authenticity in relation to clothing in Britain, Europe and America over the last 30 years"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350183209
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